Today's Oracle 3rd April 2021

 Bards (Storytelling)

Around a fire, the old stories are told again. In the telling of stories the past more consciously bears upon the present. Set against the long story of life, the familiar and unusual mingle to form the contours and patterns of our lives.

Invoking the Qualities of Remembrance and Identity.

IF YOU ARE DRAWN TO THIS ORACLE, knowing and interpreting the long story of your life - or the long story of your family, community, or people - is important to you. Sacred texts, great literature, or science fiction that probes the boundaries of the future may unexpectedly seem more relevant to you.

One local storyteller narrates the history of the people, another relays romantic tales playing fact against fiction, and yet another recites poetry as if words were waves upon the sea. Another storyteller, perhaps an itinerant bard, sings heroic ballads, runes and incantations, songs of romance, or lullabies for children. Genealogies and epics retain the long memory of generations and seldom change. Other stories fashion plots, both old and new, breathing new life and interpretation into changing circumstance.

The most well-known bard of the Celtic tradition is Taliesin Pen Beirdd, the bard of the isle of Britain, who lived in Wales during the second half of the sixth century. A large corpus of songs, poems, and lore are attributed to him. Although much of this work actually comes from medieval times, it is identified with Taliesin to enhance the prestige of the bardic orders in Britain. Nonetheless, the poems of Taliesin stemming from the sixth century, and probably predating his time, relay much of what we know of the ancient bards whose words bestowed blessings on friends and, on the darker side, the curse of satire on foes. Taliesin speaks of his origins:

"I was instructor to the whole universe.

I shall be until the judgement on the face of the earth. . . .

There is not a marvel in the world Which I cannot reveal."

Notwithstanding Taliesin's immodesty, the bards conveyed through the centuries the mysteries of lore and tradition. Stretching back before recorded time, the most important role of itinerant bards and village storytellers was to preserve a vast body of oral lore, including history and genealogies, poems and songs, epic tales, riddles, incantations, knowledge of disputes and settlements, and law.

Travelling from parish to parish in the late nineteenth century, Alexander Carmichael visited many such storytellers and recorded their tales and songs. The storytellers Carmichael sought out were already old; they had learned their poems and stories as children from old storytellers who had learned them when they were children. In this manner, the tales and poems Carmichael collected travel back in memory to the first half of the seventeenth century. Carmichael tells of an itinerant storyteller of early eighteenth-century Scotland, one Catherine Macaulay, who "wandered from house to house, and from townland to townland ... and remained in each place longer or shorter according to the population and the season.... [reciting] night after night, and week after week ... poems and stories ... long and weird." One storyteller of the Outer Hebrides was Janet Campbell, a nurse, who "had many beautiful songs and lullabies of the nursery... [H]er stories had a charm for children ... listening to what the bear said to the bee, the fox to the lamb, the harrier to the hen, the serpent to the pipet, the whale to the herring, and the brown otter of the stream to the silvery grilse of the current."

Some of your own life stories will not change, or only slightly. Others, reflected in the mirror of current circumstance, will change dramatically. In the act of telling stories, the past more consciously bears upon the present. Former times are revisited and integrated, sometimes in startling ways. Familiar and seemingly stray events are probed for meaning. In your stories, the familiar and unusual are bound to mingle, forming the rich contours and patterns of your life.

The art of storytelling is active, not passive. Though a story is unchanged from an earlier telling, it nonetheless brings reminiscence, meaning, and identity. What is more, a changing story may contain the promptings and guidance of spirit. Watch your own tellings for changes - they may indicate a shifting of awareness as well as prospects for the future.

Today's Oracle 2nd April 2021

 Salmon (Knowledge)

As a magical creature of the waters that is close to powers of the Otherworld, the salmon brings knowledge and wisdom, expressing them through the creative arts, especially poetry, prose, and singing. Ancient bards were inspired by tasting the salmon of knowledge.

Invoking Spontaneity and Artistry.

IF YOU ARE DRAWN TO THIS ORACLE, the unspoiled wisdom within your nature seek expression in the creative arts, especially poetry, prose, drama, and singing. Even without special training or talent, creative pursuits seem satisfying and want to be spontaneously expressed. Routine activities may suddenly seem revitalized with insight. Creative and ingenious people attract you. The grandeur of nature is a great source of joy and inspiration.

The magical salmon brings supernatural knowledge and wisdom. Taliesin, the ancient bard of Wales, was retrieved from a salmon weir in the River Convey. In the Finn Cycle of Ireland, the red-speckled salmon living in a pool on the River Boyne acquires great knowledge by eating the berries of the rowan tree overhanging the pool. When Finn tastes one of the salmon, he acquires knowledge of everything in the world, past, present, and future, and becomes as great a poet as he is a warrior and hunter.

In Irish and Welsh legends, the salmon captures the wonders of otherworldly wisdom. Swimming in pools close to sacred springs and feeding on rowan berries, salmon acquire knowledge of all there is to know.

The Finn Cycle of Ireland chronicles the story of a magic salmon and the giving of the knowledge of all things to Finn. To acquire greater wisdom, Finn goes to  learn poetry from Finneces, who lives on the shores of the magical River Boyne (Bóinn), encamped there for seven years attempting to catch one of the red-speckled salmon that live in a pool by the river. The salmon eat the berries that fall from a rowan tree overhanging the pool and acquire the knowledge of all there ever was to know. Whoever eats one of the salmon will enjoy the wisdom of the world. When Finn comes to Finneces's camp, the poet has just caught a beautiful salmon. Finneces gives the fish to Finn and instructs him to cook it, but not to eat even the smallest piece. While lifting the salmon off the spit, the skin of fish sears Finn's thumb. Thrusting his thumb into his mouth to ease the pain, the knowledge intended for Finneces goes to Finn. As prophesied, the wisdom of the salmon goes to a fair-haired man named Finn who becomes as great "a poet as he was a warrior and hunter."

In the Celtic world, the bards could both bless and curse with the eloquence of their words. In our time, words can promote good and evil and, therefore, rightful expression requires clarity of mind and heart. Take time to choose your words and expressions carefully.

Like the magical salmon feeding on the rowan berries at the bottom of the pool, wisdom may seem to come from a deep well within you. Fresh insights may nourish many aspects of your life, personally and professionally. New ideas will beg expression in words. If you respect the rights of others, this new (or renewed) artistry in ideas and words will develop and increase.

Today's Oracle 1st April 2021

 The Under Tree (Taking Root in the Otherworld)

The Under Tree extends its trunk and opens its branches toward the sky and into the Otherworld. It represents our capacity to expand and stand strong in the hidden and unknown aspects of our nature and to nourish their graceful expression.

Invoking the Qualities of Exploration and Expansion.

IF YOU ARE DRAWN TO THIS ORACLE, the ancient tree beckons you to take root in the Otherworld to stabilize and then expand the hidden and unknown resources of your nature. For centuries, the poets and musicians of the Celtic world have been nourished by otherworldly or spiritual forces within the earth. In this way, poets and prophets break totally new ground, bringing new ideas to awareness. If you accept the invitation, you will begin to explore undeveloped talents and inclinations in your character. Sustained periods of exploration and discovery may be ahead of you. In the Celtic world, the Otherworld is joyous and delightful and never dreary or depressive, so exploring the otherworldly (or inner) side of your nature is likely to be lighthearted and graceful. Supported by an otherworldly merriment, too much work is rarely involved. Rather, the newly matured talents and qualities will add greater depth and dimensionality to your life and work.

Wile  all trees spread upward in the sky, the Under Tree also reaches beneath the ground, extending its trunk and branches within the earth. By following the tree's branches into the earth, the traveller enters the Otherworld beneath the ground. In the Christian period, the Tree of Life grows on the Blessed Isles ever to the west. Forever blossoming and fruitful, the tree supports the maturing of the unseen and unexplored resources in our nature.

A mysterious tree guards the entrance to the Otherworld beneath the ground. By climbing down through its branches, a traveller enters the Otherworld and encounters supernatural figures living there. In the Welsh Mabinogion, the legend of "The Lady of the Fountain" tells of the hero Owain, who becomes the champion of the fountain of wisdom and the husband of "the Countess," none other than the sovereign goddess herself. One of Owain's companions, Kynon, tells a story of being directed by the Lord of the Animals to

"Ascend the wooded steep until thou comest to its summit; and there thou wilt find an open space like to a large valley, and in the midst of it a tall tree, whose branches are greener than the greenest pine trees. Under this tree is a fountain, and by the side of the fountain a marble slab, and on the marble slab a silver bowl, attached by a chain of silver, so that it may not be carried away. Take the bowl and throw a bowlful of water upon the slab, and thou wilt hear a mighty peal of thunder, so that thou wilt think that heaven and earth are trembling with its fury.... And the shower will be of hailstones; and after the shower, the weather will become fair, but every leaf that was upon the tree will have been carried away by the shower. Then a flight of birds will come and alight upon the tree; and in thine own country thou didst never hear a strain so sweet as that which they will sing."

The ancient tree is the center of the Celtic world, connecting the earth to the Otherworld below and the sky world above. Its branches reach into the ground and sky. Sometimes the tree is silver and its fruit shimmer like jewels. If an apple tree, a branch from the sacred tree bears blossoms and apples all year long. In the Ulster Cycle, Cú Chulainn's charioteer, Laeg, eloquently describes the ancient tree as he approaches the hallowed realms of the Otherworld:

"At the entrance to the enclosure is a tree from whose branches there comes beautiful and harmonious music.
It is a tree of silver, which the sun illumines.
It glistens like gold."

Today's Oracle 31st March 2021

 The Sacred Three (Seeing in All Directions)

Odd numbers, multiples of three, and the triple spirals are sacred symbols in the Celtic world. Triplication of divine figures signifies the all-seeing and unifying presence of the spirit world. Look for the wider circumstances behind events.

Invoking Awareness of the Spirit World.

IF YOU ARE DRAWN TO THIS ORACLE, you are focusing too narrowly on the immediate circumstances rather than looking at the larger context and possibilities for the future. The all-seeing vision of this oracle invites you to step back from the immediate situation, to scan events as though you were looking at them from a distance, and to imagine how possible outcomes might look from a future date. This enlarged perspective will inspire confidence, focus your intention, and simplify your actions.

The tripling of supernatural figures and sacred attributes signifies the all- seeing and unifying presence of the spirit world. Triplication reaches its height in the images of the Triple-Mother Goddess. Tripling the image gives an air of magic and fervour to gods, heads, horns, phalluses, horses, and faces of supernatural figures.The image of the tricephalos appears to look out in three directions simultaneously from a single head.

The image of the Sacred Three pervades Celtic iconography and story from the pre-Roman period on through to the predominance of the Trinity in Celtic Christianity. Sublimity and power are linked to the tripling of images and attributes. The well-known Triple Spiral was carved on stones at Newgrange by the Stone Age ancestors of the Celts. Images of the Triple-Mother Goddess abound in the pre-Roman and Roman-Celtic period. By tradition, when the first Celts invaded Ireland, they were met by the three goddesses who protected the land. Brigit is sometimes triplicated or represented as three sisters. Powerful attributes such as horns and phalluses are triplicated.

Of particular significance in this image of goddesses and gods are the triple-faced or triple-headed images from northeastern Gaul, near modern Reims, as well as a few images from the south and west of Gaul and even from as far north as Scotland and Ireland. A triple-faced image may appear as a single head with three distinct faces, sometimes blended with one dominant face and two in profile. Occasionally, the heads in juxtaposition may vary in age, one old and two representing youth, and less frequently male and female faces may be combined together. Images from modern Trier and Metz portraying the Triple-Mother Goddess appear to trample on the tricephalos (triple-headed) god beneath, suggesting the dominance of the mother goddess over the triple-headed god.

The Celts, already linking the supernatural with the Sacred Three, took naturally to Trinitarian formulations in the early Christian period. In the Carmina Gadelica, Alexander Carmichael chronicles the hymns, runes, prayers, invocations, and customs of late-nineteenth-century farmers and crofters of the Scottish Highlands and the Outer Hebrides. One of the loveliest rituals invoking the Trinity is an evening ritual known as the "smooring of the fire," performed by the woman of the house:

"Peat is the fuel of the Highlands [of Scotland] and [the Outer Hebrides] ... Where wood is not obtainable the fire is kept in during the night. The ceremony of smooring the fire is artistic and symbolic, and is performed with loving care. The embers are evenly spread on the hearth - which is generally in the middle of the floor and formed into a circle. This circle is then divided into three equal sections, a small boss being left in the middle. A peat is laid between each section, each peat touching the boss, which forms a common centre. The first peat is laid down in name of the god of Life, the second in name of the god of Peace, the third in name of the god of grace. The circle is then covered over with ashes sufficient to subdue but not to extinguish the fire, in name of the Three of Light. The heap slightly raised in the centre is called "Tula nan Trí," the Hearth of the Three. When the smooring operation is complete the woman closes her eyes, stretches her hand, and softly intones one of the many formulae current for these occasions.

The sacred Three
To save,
To shield,
To surround,
The hearth,
The house,
The household,
This eve,
This night,
Oh! this eve,
This night,
And every night,
Each single night.
Amen."

In a larger sense, the Sacred Three reminds you that the multiplicity of forms and events before you are actually unified, if you were to see your life from an expanded perspective. The Triple Spiral expands in all directions. The tricephalos sees in all directions. The Christian Trinity represents the fullness of the Divine. By cultivating a wider vision, you will come to savor a grander unity beyond all the myriad forms and events in life. Your actions will become simple and efficient as you see the interrelations in your life.

Today's Oracle 30th March 2021

Faery Hill (The Hidden World of Faeries)

By legend, the faeries are the descendants of the Tuatha De Danann, a godlike race who once inhabited Ireland. They now reside beneath the ground inside hills and mounds in the countryside. Their presence signifies inspiration.

Invoking Inspiration.

IF YOU ARE DRAWN TO THIS ORACLE, you are attracted to the spiritual forces around you. These spiritual forces, whether faeries or nature spirits, are sometimes the special friends of poets, artists, playwrights, musicians, and the inventive and creative ones of every trade or profession. The presence of the faeries and nature spirits gives the landscape around you its wondrous qualities, and you are attracted to its supernatural qualities.

The faeries, the people of the goddess Danu, live as neighbours in the hills and mounds of the countryside. Having yielded the land's surface to the Celts, the faeries now inhabit the Otherworld, beneath the ground, where they live merry and carefree lives. Their supernatural presence brings a lively, nostalgic, and passionate feeling to the landscape, especially enlivening the poetry, music, and song with a sensuous and haunting lyricism. Faery hills, in particular, denote unique sources of inspiration from the faery realms.

With the coming of the Celts to Ireland, the powerful Tuatha De Danann, the people of the goddess Danu, eventually retreated from the Middle World on the earth's surface and yielded the land's surface to the Celts. They gently slipped into the Otherworld, where they now live fanciful and merry lives as neighbours in a parallel realm to humans. Living in certain hills throughout the countryside, often ancestral burial mounds called sidhe or sí (pronounced "shee"), the inhabitants of the sidhe are known as faeries. At night some faery hills are seen as ablaze with sparkling lights and alive with merrymaking and music. On certain nights the doors between the worlds open, particularly Samhain (now Halloween), marking the beginning of winter, and May Eve, marking the beginning of summer. On these nights, faeries are often encountered travelling about in our world and may lead humans to gateways to the Otherworld. Familiar caves and cliffs may open, revealing splendid faery castles within. While kindly observers and visitors may be rewarded, interfering with faery hills or castles invites reprisal.

A typical story from Donegal in Ireland tells of a man stacking turf on the bog. Returning at nightfall, he comes upon "a big black hole with mud lying on the surface ... and a kind of big opening down into the ground. He stuck his stick into it." When he tries to pull the stick out, "what did he do but take a jump into the hole. He went down until he hit hard ground at the bottom and began to walk until he reached a castle where there were many people singing and great entertainment and eating and drinking. He sat in amongst them but he did not eat anything" because he might never return home if he ate or drank.

The presence of the faeries living close by animates the landscape of the earth with lively activity. Along with nature spirits particular to trees, flowers, and features of the landscape, the Otherworld of the faeries imbues the natural, human world with movement, exuberance, and passion. Our world mirrors theirs.

While the Celts are unusually attentive to the presence of otherworldly beings who share the earth with us, the earth is sacred wherever you live. If you live in nature, especially in secluded places where supernatural beings are more at ease, you may be especially aware of their presence and passionate, spirited vitality. Quite unlike contemporary notions that portray the faeries as fearful and meddlesome, the faeries would much rather cooperate with us, especially sharing inspiration, visions, frivolity, song, and music. Unfortunately, the faeries - and other nature spirits - have become wary of humans, so attracting their support requires respect and care for our natural environment and the spirits who dwell there. 

THE CURRENT QUALITY OF TIME April 2021

Neptune

In the first days of April patience and tact are needed. Mercury is still in Neptune's sphere of influence, perception is clouded, and thinking is not very clear. The Sun and Venus in Aries, however, encourage you to move forward courageously. With Mercury entering Aries on April 4, the uncertainty of the last few days will quickly disappear. Now, what has only been sensed in recent weeks may finally be spoken. However, Mercury forms a conjunction with Chiron on April 9, and at the same time Mars squares Neptune and the Moon. Aim for clear communication during this time and don't blame yourself if you have to struggle for words now and then. Unclear messages could cause considerable confusion.

Aries

There is a New Moon in Aries on April 12, and Venus squares Pluto at the same time. This is an energetically charged time when many desires want to be satisfied. Anxious procrastination makes little sense now. Whatever begins during this time could make its presence felt throughout the year. Venus enters earthy Taurus on April 14, and on April 16, the Sun squares Pluto and the Moon is close to its North Node. On April 17, Gemini Mars forms a trine to Jupiter in Aquarius, and on April 19, the Sun also enters Taurus. Some of the difficulties of the last few days can now be overcome, sometimes this is achieved in a somewhat unceremonious manner or even with determined assertiveness. Sensual pleasures should not be neglected during these days. Now you could - within the scope of possibilities - celebrate a small feast of the senses and consciously appreciate the physical aspects of life once again.

In the last third of the month, the quality of time will change significantly. Tension is on the rise again and may bring an end to carefree living yet again. Venus and Mercury form a conjunction with Uranus on April 23 and 24, Mars enters Cancer at the same time. On April 25, Venus and Mercury square Saturn in Aquarius. The desire for security now becomes great, but it is unclear where real stability can be found. It is time to take a realistic look at the developments of the previous months and to handle your own resources responsibly. Blind activism or aggressive outbursts could lead you to harm yourself.

Scorpio

Towards the end of the month, an intense Full Moon in Scorpio awaits us on April 27. The Sun and Moon square Saturn in Aquarius, and the Sun is about to make a conjunction with Uranus (on April 30). What happens during these days can hardly be ignored and can be noted as another landmark in the current transformation of society. With Pluto turning retrograde at the same time, minor or major turbulences in the stock markets or sustained shifts in power are also likely. Keep in mind at this time, that while an individual has limited influence on the larger, collective events, new paths are usually pointed out by the wisdom of individuals.

Today's Oracle 29th March 2021

 Power of Place (Calling in the Spirit of Place)

The landscape, its hills, glens, plains, shorelines, nooks, and crannies, are the features of the body of the mother goddess, the earth. Place-names honour the unique qualities and lore of place. Similarly, honouring the power of place situates us in the passage of time.

Invoking the Qualities of Familiarity, Remembrance, and Continuity.

IF YOU ARE DRAWN TO THIS ORACLE, you are yearning for a place you can call your own, perhaps a home, a village, a region or country, or a community. You seem to want somewhere to root, to settle, and invest yourself fully. Not anywhere will do. The place must be uniquely right for you. The power of the place compels you. Its atmosphere, physical features, people, vegetation, smells, and wildlife attract you. It may be where you are but your psyche has not yet fully engaged it. It may be a place deeply familiar and redolent of personal memories. Wherever this place is, you are more fully alive there, as though the outer landscape mirrors the inner landscape of who you are and who you are becoming. This remarkable correspondence brings vitality and a sense of contentment and well-being.

The Celts often name a place for its qualities and lore — a dell for providing shelter, a marshy corner for its soft and rushy bottom, a ring fort to signal an otherworldly ambiance, a meadow to mark the battles fought, or a holy well for its protectress. Affecting recollection, familiar places help us to situate ourselves in the passage of time and locale. Recalling such a place, Irish poet Cathal O Searcaigh concludes: "Contradictions are cancelled on the spot."

The landscape - its rocky slopes, the forks of a river, an elder tree, a spring at its source, a widening plain, or undulating hills - reveals the features of the body of the mother earth, the goddess herself. Her countenance is found in the physical appearance of each place. The power of each place is utterly unique, so that its physiognomy and stories, so familiar, are wedded to the memory of the men and women living there. In Ireland and other Celtic lands, power implicit in the stones and earth of a place is frequently distilled in place names, recollecting in a word or phrase the deeds and fortunes of memories past. Like tonic to the human spirit, the power of place - in all its nuances, the horrific and foreboding, the beautiful and innocent - links individuals and community to lore and locale.

In discussing a genre of Irish literature known as dindseanchas, the poet Seamus Heaney writes that its poems and tales "relate the meanings of place names and constitute a form of mythological etymology ... marrying] the geographical country with the country of the mind. Heaney continues:

"The landscape was sacramental, instinct with signs, implying a system of reality beyond the visible realities. Only thirty years ago, and thirty miles from Belfast, I experienced this kind of world vestigially and as a result may have retained some vestigial sense of place as it was experienced in the older dispensation. As I walked to school, I saw Lough Beg from Mulholland's Brae, and the spire of Church Island rose out of the trees. On Church Island Sunday in September, there was a Pilgrimage out to the island, because St. Patrick was supposed to have prayed there, and prayed with such intensity that he branded the shape of his knee into a stone in the old churchyard. The rainwater that collected in that stone, of course, had healing powers, and the thorn bush beside it was pennanted with the rags used by those who rubbed their warts and sores in that water... That legend, and the ringing ascetic triumph of rising in the frosts of winter to pray ... all combined to give Blemish a nimbus of its own.

The power of place is so intimate and "self-contained" that it is virtually hidden from those who inhabit the home, the locale, the village, or the city. Entering the place, the stranger "is immediately aware of the otherness and the intimate nature of the 'place.' One senses the odours unique to the place - its sounds and artifacts.... It is this quality of intimacy, based on uniqueness, that provides the possibility for placehood." By intertwining landscape and lore, the power of place connects the human psyche within the nexus of time and space.

Over the course of life, there are times to take pilgrimages to distant places and to garner their qualities to yourself. At other times, such as now, you are invited to situate your life in a particular place, to settle in and to mature amid the familiarity and memories built up over time. Surrounded by these intimacies as though encircled by the lacework of your life, your inner life and external surroundings blend together in support of each other.

Today's Oracle 28th March 2021

Lugh/Lludd (Warrior, the Shining One)

Lugh, the master of all arts, is one of the Tuatha De Danaan and a great warrior of the Irish mythological cycle. As foretold by a druid, he kills his own grandfather, Balor of the Evil Eye. A warrior's quality is mastery.

Invoking the Quality of Mastery.

IF YOU ARE DRAWN TO THIS ORACLE, you are attracting adventure and challenges to your life. This oracle signifies the actions of a mature and seasoned warrior, capable in many arts of action and contemplation. Seasoned warriors do not go out looking for high adventure, but challenges seem to find them nonetheless. To meet approaching events, you will want to combine authority with grace, skill, and artfulness. In acquiring many skills, you will be both flexible and strong. A true warrior has complete command of her or his actions. By coupling your skills to one another in your actions, you will master both the situation and yourself.

The Irish warrior Lugh is the master of all the arts. When he approaches Tara, the fort of King Nuada, the king's eyes are dazzled by the bright light of Lugh's countenance, as though he has gazed straight into the sun. Lugh's counterpart in the Welsh tradition is the warrior-king Lludd, who joins with his brother Llewelys to overcome the three plagues oppressing the Isle of Britain. A warrior's special quality is mastery of all the arts, including poetry, music, smithing, pageantry, and healing.

Long ago in Ireland, in mythological time before the time of the Celts, the Fomorians lay siege on the Tuatha De Danaan, who were living peacefully on the emerald isle. Among them, Lugh is a warrior more beautiful and noble than any man. Born of supernatural origins, he is the son of a prince of the Tuatha De and a Fomorian princess, the grandson of the powerful Fomorian king, Balor of the Evil Eye. When Lugh approaches the gates of Tara accompanied by his warriors, he gains access to the king's court as the master of all the arts, including carpentry, smithing, music, combat and war, poetry, magic, healing, cupbearing, pageantry, and gaming. Once the Tuatha De king, Nuada, sees that Lugh is matchless in all the arts, he enlists his aid against Balor. Soon, Lugh enlists the help of Manannán Mac Lir, the powerful ruler of the sea. From Manannán, he acquires a breastplate that no weapon can pierce and a sword whose thrust no one can survive. As Nuada watches Lugh and his warriors returning to Tara, his

"Eyes were dazzled by a bright light as if he had looked full into the sun, but then he saw the brilliant rays shone from the face of the leader of the troop and from his long golden hair. Darts of light came off the young man's armour and off his weapons and the gold-embossed harness of his horse. A great jewel blazed from the front of the golden helmet he wore on his shining hair, and Nuada knew that Lugh had come back to Tara."

As soon as Lugh takes his seat in the court of the king, a horde of slovenly Fomorians bears down upon Tara. To Lugh's horror, when the unkempt men stumble into the court, Nuada and his household rise to their feet. When Lugh protests, Nuada replies that these Fomorians are returning to claim their taxes and a third of the crops and a third of the children as slaves. Outraged, Lugh brandishes Manannán's sword and kills all but nine of the Fomorians, sparing them only to turn to Balor with Lugh's deadly reply.

The Tuatha De Danaan and the Fomorians prepare for war. King Balor, Queen Ceithlinn of the Crooked Teeth, their twelve sons, and a great army of warriors march across Ireland to Tara. On the Plain of Moytura, the ground becomes "slippery with blood" as men fight and die, friend and foe side by side. When Balor fells Nuada with a single blow, Lugh is so enraged that he taunts his grandfather Balor to lift the eyelid of his deadly eye. Ten Fomorian warriors pull on ropes, as though drawing a curtain, to raise the weighty lid. Lugh thrusts a stone from his sling into Balor's eye as it opens, killing him instantly as the eye falls back through Balor's head. Though the dead are "as countless as flakes of snow," the Fomorians are forever routed from Ireland."

If the present situation is dangerous to yourself or others, wise action is to seek guidance and assistance. A warrior rarely journeys alone, but is accompanied by kindred companions and trusted friends or advisors. Pursuing worthy and risky objectives without the aid and wise counsel of others is unwise and sometimes perilous. Concerted action adds strength to strength.

Today's Oracle 27th March 2021

Stag (Wild Nature)

The king of the forest, the stag deer represents dignity and potency in life. By bringing the quality of dignity to passion, the stag focuses the passionate, wild, and sometimes unruly forces within and outside our own natures.

Invoking the Union of Focus and Passion.

IF YOU ARE DRAWN TO THIS ORACLE, you want to act from the passionate and spontaneous side of your nature. Yet your passions are still unruly, creating disorder within and around you. By bringing focus to your passions, you can harness the passionate and sometimes unruly forces within your own nature. Without this inner focus, even creative passions can generate tension and conflict. In emulating the quiet dignity and watchfulness of the stag, you can skilfully command your passions and create harmony in your life affairs.

The stag represents the wildness of nature. Associated with Cernunnos, the Lord of the Animals, and the goddesses of the sacred hunt, the stag acquired divine status among the Iron Age Celts. The stag's noble presence among the animals, its branching antlers resembling mature trees, and potency and aggression during the rutting season, epitomize the great forests of old Europe over which the stag presided as King of the Forest. The stag represents the noble and wild passions within all of nature.

In the Camonica Valley of northern Italy, cave walls contain rock drawings dating from the late Neolithic people through the Bronze and Iron Age Celts. The Celts were renowned hunters and their numerous stag images on cave walls indicate a reverence for the stag and an eagerness for the sacred hunt. Images from the fourth and seventh centuries portray stag like or antlered hunters, suggesting shape-shifting or, at least, an intimate correspondence with the quarry. Dominating over three-quarters of the religious imagery, drawings of the stag are often blended with another powerful Celtic image, the sun. At times, the rays of the sun appear as antlers, signifying a common sovereignty. Attesting to the stag's noble, if not divine, status, one rock drawing shows a circle of figures dancing or praying around a stag with tremendous antlers.

A synthesis of archaeological and mythological evidence points to the stag as symbolizing wild nature, the King of the Forest. Ancient Gaul was heavily forested, as was England and Ireland. The stag's antlers branching like a tree into the sky, together with its speed, dignity, and carriage, imply a noble signature among the forest animals.

Typically, the stag is associated in Celtic mythology with Cernunnos, the Lord of the Animals. The Gundestrup Cauldron depicts an antlered Cernunnos with his familiar companion, the true stag. Perhaps resplendent of an older tradition, goddesses are closely linked with the stag, especially when power and fertility are invoked. The Irish goddess Flidhais, who kept herds of deer as though they were cattle, seems to personify the wild and fertile nature of the surrounding forest. A goddess presiding over the sacred hunt of the stag was found buried with a Celtic warrior in an Iron Age site at Strettweg in Austria.

Lastly, in the Christian era, the deer is associated with St. Patrick in Ireland: The king has sent men to ambush Patrick on every road leading to his court at Tara. Patrick passes the soldiers with his company of eight young clerics, followed by Benen carrying Patrick's writing tablets on his back. The men pass unnoticed, appearing as deer followed by a fawn with a white bird perched on its shoulder.

The stag's sovereignty amid the wildness of nature is quiet, alert, and reserved - ample balance for the virility and power within. In walking quietly and attentively in danger, remaining calm and alert under stress, and meeting each situation with the right balance of speed and strength, the stag models inner and outer poise and self-control. A calm and steady focus will allow you to remain calm in any situation, as though you were walking serenely in a forest. However unruly your nature or the situation, a one-pointed focus will bring power and strength to your actions.

Today's Oracle 26th March 2021

 Sun god (god of the Sky)

The power and return of the sun has been acclaimed and honoured for thousands of years. The warmth and light of the sun kindles the life-giving potential of the earth's biosphere. The sun's qualities are majesty, radiance, fertility, and beauty.

Invoking the Qualities of Power and Radiance.

IF YOU ARE DRAWN TO THIS ORACLE, you are sensing a fiery power emanating toward you or from within you. You marvel at the majesty of the sky world and the delicate fabric of life stirred by sunlight. You cannot seem to get enough sunlight. The brilliance of light attracts you. You may want to wear bright jewelry, or even be attracted to precious gems, especially diamonds.

The power of the sun to give light and warmth and its return each day have been revered for thousands of years, from the time of the Bronze and Iron Age Celts. Portrayed as a spoked wheel or swastika, the sun rolls across the firmament pulled by a chariot and team of horses. Among the Romanised Celts, a powerful sky god brandishes his solar wheel as a shield as he crushes the head of a monster with his foot or hand. The sun god signifies majesty, power, radiance, fertility, and beauty.

The sun gives warmth, light, and cycles to the year and is therefore associated with the giving of life, fertility of the crops, and the conquering of menacing forces. Complementary to the earth's primal power over life, the sun touches the earth and sparks the life already there. From archaeological evidence from the Bronze and Iron Age through the mythological period, the allusion to sexual coupling is obvious: the warmth of the sun enters the moist interior of the earth where life begins. Solar images adorn the bodies and are conveyed by goddesses and gods alike. In the Camonica Valley in northern Italy, the Celts of the late Bronze and Iron Age carved on cave walls solar images, round disks or spoked wheels held aloft or volleyed by human figures. The Gundestrup Cauldron bears the image of a magnificent sky god portrayed as being upheld, perhaps conveyed, by a wheel. Small clay figures of young goddesses are affixed with sun wheels surrounding their bodies or adorning their breasts, bellies, and thighs. Images of the sun and earthly abundance appear to harmonize in the Celtic imagination. Though sun images are primarily associated with male deities and images of earthly abundance with mother goddesses, it is not uncommon to find goddesses associated with sun wheels and gods carrying cornucopias and signs of a prosperous harvest.

Images of the sun wheel and swastikas, sometimes accompanied by a chariot and horse, on cave walls, coins, and armour, distill in imagery the mythic portrayal of the sun conveyed across the sky by a chariot and a team of horses. Perhaps only an animal as prestigious as a horse could accompany the sun. Epona, the horse goddess, is sometimes accompanied by solar imagery.

Solar deities in the Roman period, however, became increasingly masculine and fierce, though benevolent toward those they protected. Borrowing some of Jupiter's appearance from the Romans, the Celtic Jupiter is a powerful god, portrayed as standing and holding his solar wheel authoritatively. He frequently appears as a victor and as a god of generous mien and majesty, mounted on a horse and brandishing his (entirely Celtic) solar wheel like a shield against the enemy. Beneath him, pressed down by his foot or hand, is a monstrous, serpent like creature. The Celtic Jupiter is a warrior god, conquering the hideous forces troubling human life.

Two of the great fire festivals of the Celtic world, Beltaine at the coming of summer (May 1) and Lughnasa at the coming of the harvest (August 1), ritualise fire as the sun's semblance on earth. The cycles of the sun bring life. Celebrated into the nineteenth century, a midsummer celebration in Germany, for example, involved setting a wheel of straw on fire and rolling it down a mountain into the Moselle River. If the wheel reached the river still ablaze, a good wine harvest was foreseen. Similarly, the great fire festival of the Christian year, Easter, became associated in time with the sun. On Easter, the country people in Ireland rose early in the morning in hopes of seeing the "sun dancin' in the sky."

Drawing this oracle suggests that you have an opportunity to attract majesty and radiance to your character and attitude toward life. This is your time in the sun, a time to shine, bringing a sparkling quality to your own life as well as to others'. If you are attracted to a spiritual path, you may sense an inner light that propels you to focus more intensely on your meditations, prayers, or practices toward gaining enlightenment.

The sun's constancy and radiance invariably help to instil confidence and assurance. Positioning your life within the sun's beneficence brings balance to the flow of ordinary life events. In sensing the constancy of movement beneath change, hard times will bestow resilient and bountiful times, steadiness, and hope. By mindfully drawing closer to the sun's radiance, your life will seem more buoyant, majestic, powerful, and inspiring.

Today's Oracle 25th March 2021

Brigit, the Snake and Fire goddess (Transformation)

The snake goddess is associated with midwifery, smithing, and the fostering of the creative arts. Her capacity for change and renewal inspires creativity in challenging situations, and enhances our capacity to meet old circumstances with renewed vision. Her qualities are imagination, intuition, and vision.

Invoking the Qualities of Imagination, Intuition, and Vision.

IF YOU ARE DRAWN TO THIS ORACLE, you are attracting change and regeneration into your life. The snake goddess brings creativity and power. Domestic activities, family and friends, and circumstances close to daily activities are likely to be sources of breakthrough and insight. Old and fossilized circumstances and relationships may begin to breathe with new life, vision, and activity. Creative projects, artistic pursuits, and unexpected insights may appear in ordinary circumstances. New and creative ideas may present themselves while conversing with friends and family or while engaged in everyday activities. Now is a good time to watch for newness and allow your imagination to roam freely.

Aligned with snakes and with fire, Brigit is the guardian of transformation and change. Present in moments of creativity and vision, she presides as midwife, prophetess, and patron of the arts, especially of poetry, hospitality, healing, breast-feeding, and the brewing of beer. The young and beautiful Brigit is composed, vigorous, passionate — and usually a virgin. Her presence inspires creativity and the capacity to meet old circumstances with renewed vision.

The Goddess Brigit, who also appears in Christianity as St. Brigit, figures powerfully in the Celtic world. In many ways, Brigit is a youthful composite of all the attributes and symbols of the Celtic goddesses. Derived from the Gaelic word brig, the name Brigit means "High and Exalted One." Often appearing as three sisters, she is identified with the transforming power of the Dark Goddess herself.

Brigit's special symbols are snakes, fire, and sometimes the cow. Surrounded by snakes, Brigit remains close to the earth, lending authority to transformation and change. As a child is about to be born, the attending women intone softly to invoke her presence and assistance. In Christian legend, she is known as the midwife to Mary when she gave birth to Jesus. Aligned with the element of fire to forge and mould, Brigit also presides over the hearth of the blacksmith and over imagination, vision, and prophecy. This excerpt from a simple prayer from the Scottish Highlands invokes her to shield men and women from danger at night, inspire song, and give guidance:

"I am under the shielding of good Brigit each day
I am under the shielding of good Brigit each night
I am under the keeping Of the Nurse of Mary
Each early and late, every dark, every light
Brigit is my comrade-woman
Brigit is my maker of song
Brigit is my helping-woman,
My choicest of women, my woman of guidance."

The first of February (or the thirteenth of February by the old style) is the Feast of the Bride - Brigit - celebrating the coming of spring. Brigit, as a serpent, emerges from the brown hills and turns winter to spring. Fragments of the ancient songs still survive:

"The serpent will come from the hole On the brown Day of Bride
Though there should be three feet of snow On the flat surface of the ground."

Snakes shed their dry old skin only to grow new skin. Close to the Otherworld and its powers, Brigit's snakes signify creativity as well as caution. The presence of regeneration can transform positively or can manipulate others and circumstances for personal gain. The otherworldly powers of the snake not only inspire but may also confuse, resulting in mistaking your own desires for the needs of others and even turning into trickery and deceit what may have appeared to be a worthy pursuit. Check your intuitions with the counsel of those you trust to tell you the truth.

By remaining open-hearted and generous to all, you will experience renewed vitality in everyday encounters and activities as you attract the qualities of imagination, intuition, and vision into your life.

Today's Oracle 24th March 2021

 Will O' the Wisp - Jack O'Lantern (Fire)

Will O' the Wisp is too bad for heaven and too clever for hell. He therefore forever wanders the countryside with a wisp of light. Using the creativity of fire unwisely or selfishly brings misfortune. Seek to use creativity and talent with generosity and compassion.

Invoking the Use of Creativity and Talent.

IF YOU ARE DRAWN TO THIS ORACLE, your creativity and talent may be going astray. A wise person uses his or her creativity wisely and unselfishly. Are you undervaluing your talents and skills and therefore undermining your endeavours? Are you withholding your strengths? hoarding them? trivializing them? neglecting them? overlooking their potential and not attending to their development? Are you supporting your talents through proper diet, exercise, and rest?

Will O' the Wisp was a poor and quick-witted man who ill used his talents taunting his neighbours, including the devil. Some say he was an awful man who always got the upper hand with his neighbours, and even with the devil. When Willy died, he was welcome neither in heaven nor hell. He still wanders about the Irish bogs at night with a lantern or his nose afire. His presence signifies the fires of creativity and talent and their right use in the world.

Mysterious lights are seen on the bogs in Ireland at night. Holding a wisp, a lantern, or with his own nose ablaze to illumine his way in the dark, poor Willy the Wisp (also known as Jack O' Lantern) forever wanders the countryside. "Willy the Wisp ... refused admittance of heaven and hell, was given a wisp for light by the devil. And Willy goes about lonesome places from that day to this and the wisp with him." Willy the Wisp was too bad for heaven and too clever for hell.

When alive, he had been a terrible bad man who played spiteful tricks on his neighbours. His wicked eye was said to have the power to turn a person into a goat. Carried away with his own cleverness, though, he taunted the devil and got the upper hand of Old Nick in every deal. At long last he died and was sent down to hell. When the devil saw him coming he ordered all the doors and windows to be securely locked and bolted. Poor Will walked up and down expecting to be let in at any moment. Losing patience at long last he went over and began peeping in through the bars. What do you say if his nose didn't catch fire! But he had no chance of getting in. The poor fellow had to come back to Ireland and he is wandering up and down the country ever since with the tip of his nose on fire. That's the light you see when he's crossing the bog.... The fire on the tip of his nose is so strong that all the water in the ocean wouldn't extinguish it. He'll be wandering about night after night till Doomsday and then if the devil doesn't let him in I don't know what will become of him.

Never follow Willy's meandering light in the bog. He will lead a man or woman astray.

Unwise or selfish use of creativity and talents brings misfortune. Wise and generous use of talents brings peace of mind and contentment. Compassionate use of talents brings much joy to the heart. In seeking to develop your talents and how to use them it is wise to seek guidance from those who have manifested their own talents in creative and generous ways. Such guidance will be inspiring and sound, because it is based on having already wrestled with the tensions of ambition and impatience, success and failure, giving and receiving, and passion and resistance.

Today's Oracle 23rd March 2021

 Treasures (Stone, Spear, Sword, and Cauldron)

The four treasures brought by the Tuatha De Danann to Ireland are the Stone of Fál, the Spear of Lugh, the Sword of Nuada, and the Cauldron of the Daghdha. Each treasure in turn signals power and a challenge for further development of your character.

Invoking the Challenges of Mastery and Power.

IF YOU ARE DRAWN TO THIS ORACLE, you are either naturally drawn to power and authority, or your present circumstances require the right use of power. Power is invariably a double-edged sword capable of cutting in two directions. Your skills may involve a natural talent or expertise cultivated over time. Having mastery makes possible important personal accomplishments, expression, and satisfaction. At the same time, by holding authority you also attract circumstances and events that challenge and further develop your skill and authority. Unless you acquire personal qualities equal to your talents and skills, your life situations will become untenable and you will not be able to express the talents and skills you rightfully hold. Consider the possibility that the challenges you attract are actually invitations to bring qualities such as greater awareness, confidence, integrity, savvy, kindness, and equanimity into your nature. Take time to reflect on the particular type of challenges you are presently encountering and the unique qualities needed to meet them successfully.

Accomplished in the arts of Druidry, the godlike Tuatha De Danann came from the isles to the north of the world to invade ancient Ireland. The Tuatha De brought four treasures with them: the Stone of Fál, which shrieks when a rightful king sits upon it, the Spear of Lugh, which grants victory, the Sword of Nuada, from which no one escapes, and the Cauldron of the Daghdha, from which none leave hungry. Each treasure represents power and its challenges.

Failius, Goirias, Findias, and Muirias were the four cities of the mythic isles in the northern seas. From the cities' great sages, the Tuatha Dé Danann acquired knowledge of Druidry, magic, and prophesy. They invaded ancient Ireland with a great fleet of ships, and upon reaching the western shore, they set their boats on fire and, in so doing, destroyed any hope of returning to the north of the world. Defeating and routing the Fir Bolgs who then lived on the island, the Tuatha De controlled all of Ireland and established themselves at the royal court of the high kings of Ireland at Tara. As recorded in the Book of the Invasions, which chronicles the successive invasions of Ireland, the Tuatha De brought four great treasures to Ireland from the northern isles.

"From Failias was brought the Lia Fail which ... utter[ed] a cry under every king that should take Ireland. From Goirias was brought the spear which Lug [Lugh] had: battle would never go against him who had it in hand. From Findias was brought the sword of Nuadu: no man would escape from it; when it was drawn from its battle-scabbard, there was no resisting it. From Muirias was brought the cauldron of the Dagda [Daghdha]; no company would go from it unsatisfied."

All four treasures recur in the historical legends of Ireland, and feature prominently in Arthurian legend. By tradition, the Lia Fál (the Stone of Fál) still resides on the hills of Tara in County Meath, the mythic center of Ireland and inaugural site of ancient Irish kings. In a curious blend of ancient and Christian traditions, the Book of Invasions tells that the stone made no cry after the birth of Christ.

Today's Oracle 22nd March 2021

 Raven (Truth telling and Prophesy)

Ravens and crows represent the power of speaking the truth and sometimes the power of prophesy. The raven brings truthfulness, clarity, and insight into the nature of a relationship, event, or situation. Tell the truth in the present situation.

Invoking the Qualities of Insight, Clarity, and Discrimination.

IF YOU ARE DRAWN TO THIS ORACLE, the raven is your benefactor and companion. Your present situation may require speaking the truth in order to clear the way for newness and avoid misunderstandings. Regardless of the situation, lying about mundane or important aspects of your life tears at the fabric of your nature because it disables your emotional and spiritual maturity. On the other hand, bludgeoning others with your opinion without cause or necessity is not mature truth-telling, either. Telling the truth means seeing the world clearly and speaking what you see.

The earliest depictions of the raven are found drawn on prehistoric cave walls. Large ravens are portrayed speaking to human figures, as though prophesying from the chthonic to the earthly realms. Irish druids watch the flight of ravens to predict the future. Appearing as ravens, goddesses wreak havoc among armies, predicting death and the outcomes of battles. As a messenger from the Otherworld, the raven signifies speaking the truth and prophecy.

Like mother goddesses, carrion birds are complex symbols of death and rebirth. Statuary and coins depicting carrion birds hint at myths and symbols long forgotten by history. At temple shrines dedicated to the mother goddess Nantosuelta, ravens perch near her as though bearing messages from the Otherworld. Unique Celtic coins suggest an unknown story: an immense raven rides on the back of a horse. The reins appear to be held by the bird, and its talons dig deeply into the horse's back. Sometimes carrying a small cake in its beak, the raven may be bearing fruit or gifts from the Otherworld.

The earliest traces of Celtic art are cave drawings found in the Camonica Valley in the Italian Alps near Brescia, the work of Iron and Bronze Age Celts. Ravens appear to speak to a human figure who stands before the bird, as though listening.

Evocative of an intimate connection between the birds and goddesses is the mysterious winged goddess. She appears as both in this world and of another world. While shape-shifting between forms is commonplace in Celtic images, portrayals are rarely "frozen" midway in transition. Like the raven, the winged goddess may be a messenger between the realms, bearing gifts as well as prophesies.

From the Iron and Bronze Age through the Roman period, ravens appear as benign, even auspicious, in their accustomed role as prophets and messengers from the Otherworld. However, in the warrior culture of medieval Ireland, their aspect changes. Forecasting death and carnage on the battlefield, tales of terror recount a better story. In the celebrated account in the Ulster Cycle of the death of Cú Chulainn, the Hound of Ulster, the truth-telling Morrigán appears as a raven and concludes the scene:

"Holding the huge wound in his body together, Cúichulainn .. . took a drink and washed himself and turned from the lake to die. On the shore, a little distance away, he saw a pillar stone and he struggled towards it and put his back to it for support.

Then he took his belt and tied himself to the pillar so that he would die standing up, for he had sworn he would meet his end "feet on the ground, face to the foe. Upright and facing his enemies, he called to them to come near him and cautiously they approached and stood round him silently in a circle. They stayed there and watched him but none of them dared lay a hand on him for the hero light still shone round his head....

For three days his enemies watched Cúchulainn. The ravens of battle, the Morrigu and Badb, hovered around his head and at last the hero light faltered, flickered, and went out. As it did so, Cúchulainn let out a great sigh and the pillar stone split at his back. A raven lit on his shoulder and settled there."

Telling the truth is akin to prophesy. It cleans the "eye of the heart." In time your inner vision will see things in their essence and into events seeming to take place in the future. Having been drawn to this oracle, you may have an opportunity to open the windows of perception, to see more deeply into life, and to bring insight and discrimination from the world of spirit to the ordinary, seemingly mundane affairs of life.

Today's Oracle 21st March 2021

 Green Man (Renewal of the Earth)

The face and features of the Green Man are formed of leaves. He represents the masculine role in sexual coupling and fertility and the flowering of life and talent. Progress is uncluttered and easy. His qualities are innocence, success, and easy progress.

Invoking Innocence, Easy Progress, and Success.

IF YOU ARE DRAWN TO THIS ORACLE, you are attracting youthful, zestful energy into your life. In the manner of the greening of spring, easy progress is ahead of you. Ideas and actions will seem innocent and spontaneous.

In conveying the fertility of the forest and plants to people and livestock, the Green Man is the consort of the mother goddess, assisting in the greening of spring and summer and the fruitfulness of the earth. The Green Man's face and features are formed of leaves and vines. Deriving his prowess from the earth, he represents the masculine role in sexual coupling, fertility, and the flowering of human life and talent. He signifies innocence, easy progress, and success, especially in initiating new activities.

Throughout Celtic history, mother goddesses have various consorts. Often goddesses and gods, such as Nantosuelta and Sucellus and Rosmerta and Mercury, are consistently paired as divine partners or lovers. The Green Man is one such consort, a precociously sexual and youthful consort conveying fertility wherever he goes.

The virility of the antlered god Cernunnos and the Green Man are interrelated, so much so that the Green Man might be considered a variant of Cernunnos. From the earliest evidence left by Bronze and Iron Age Celts, Cernunnos presides over the forest, wearing the branching antlers of a stag. His imagery is potent and powerful, assuring the fertility of the natural world in human life. Similarly, in a carving from Germany known as the St. Goar pillar, vegetation grows from the Green Man's head and forms his beard. On the Gundestrup Cauldron, the head of a male is covered with the stylised hair formed of intertwining leaves. As in so many Celtic images the power resides in the head.

Images of the Green Man adorning European cathedrals and churches portray his head and especially his hair, beard, and mustache as a composite of leaves, branches, and vines. Long leaves may stem from his mouth to form an exaggerated beard or mustache. Grapevines, sometimes bearing grapes, run out of the sides of his mouth encircling his head as stylised hair and beard. A mass of leaves may surround his head. His image on the facades and interiors of churches artfully combines the Green Man's foliate persona with figures from the Christian gospels. His appearance is typically placed as though he were an unnamed guardian, as in the Gothic spire of the Münster of Freiburg im Breisgau, Germany. Largely hidden from view from below, heads of the Green Man look down from the open fretwork spire in grief and sorrow at the crucified Christ on the cross below. In a Romanesque carving from Exeter, the Virgin Mary holds her child supported by the foliate head of a Green Man, his eyes closed as though in ageless invocation.

In contrast to the subtle fertility imagery of church art, the explicit, sexual imagery of a youthful consort is boldly portrayed in Irish myth and legend. Like the land itself, Irish legends are rich and moist with youthful sexuality. Much lighthearted phallic humour, for example, quickens the narrative of the Irish epic Táiin Bó Cuailnge (The Cattle Raid of Cooley). As a responsible sovereign, Queen Medb (often thought to be a personification of a goddess because Celtic tribes did not necessarily have queens) tests the prowess of her many consorts. In their encounter in the wood, Fergus fails to meet Medb's expectations and he "loses his sword." Similarly, Imbolc, the Feast of Brigit celebrated on February 1, is marked with sexual overtones evocative of an older agrarian perspective that linked the fertility of crops, livestock, and humans. According to one folk tradition, the man of the house enters the household in the name of Brigit and "those within ... go on their knees, open their eyes and admit Brigit," an overtly sexual reference to mating on Imbolc as a means of invoking the blessing of the goddess on the fertility of the household. The robust and fertile image of the Green Man is continued in the Irish Strawboys, the "masked and straw-costumed well-wishers who graced with their presence the house-parties of Irish country weddings."

However, your success is limited by natural circumstances beyond your control. Though appearing in many guises through the centuries, the Green Man is always younger and less experienced than the mother goddess, the sovereign Mother Earth. This youthful innocence can accomplish many ends, but you will need greater strength, confidence, and maturity to fully accomplish your goals. By accepting the limits of the situation, you will find much personal satisfaction and ready success. On the other hand, if you overextend your energy or ambition or brashly push ahead, the situation may turn from success to disappointment, and even ridicule.

Today's Oracle 19th March 2021

 Hag, the Initiator (Beginnings)

The hag initiates change and transformation, and signals the potential for significant change and transformation in relationships and the affairs of everyday life. Her often terrifying appearance is a test of your readiness for change.

Invoking Readiness for Change.

IF YOU ARE DRAWN TO THIS ORACLE, the hag may be testing your readiness for change. Her presence signals the potential for significant shifts in business and professional life, relationships, and the affairs of everyday living. New beginnings are possible. While the hag's outward appearance may be ghastly, welcoming her signals your readiness for a shift in awareness and fortunes. Anything may happen if you embrace such an unlikely stranger across the threshold of your life.

In Irish myth, a ghastly hag symbolizes the sovereign goddess of Ireland in the quest for the rightful heir and king. Through her, he is joined to the land. When the hag mates with the rightful heir, she signals his sovereignty by becoming a lovely maiden. In Irish and Scottish folk tales, the hag gives birth to the mountains and valleys, hills and rocks, and the various creatures of the land. The hag tests and initiates beginnings and rightful change.

The powerful hag is one of the three aspects of the Triple-Mother Goddess, the sovereign goddess of the land. Typically old and yet ageless, her terrifying appearance tests the readiness of kings and heroes. In Irish, Welsh, and Scottish legends, she enchants her "chosen" heroes with magical powers and confounds and hounds any who spurn her advances. Her shape is spine- tinglingly horrid and yet radiant, as captured in a contemporary poem, originally composed in Gaelic, by Nuala Ní Dhomhnaill:

"She stood naked in the dark, her palms cold like luminous fish on my shoulders:

her hips flashing fire beneath the two moons of her breasts.

I sank my head in her sea-weed hair and bitter waves of sea bruised and battered me, our white-horse waves rusted to rats: all became empurpled.

In the morning waking my head aching I saw sallow scales encrusted her and rotten teeth from the abyss snarled at me and hissed.

I took my awl and last and left the place fast!"

In approaching this goddess, the Irish kings were chosen. By legend, the reign of the U1 Neill, descendants of Niall, was initiated by the blessing of the goddess of sovereignty, the hag. Though the youngest of the five sons of the king, Niall became the king of Ireland from 379-405. As the story is told in an early fifth-century manuscript, Niall and his four brothers were out hunting in the forest and were overwhelmed by thirst. One by one, each brother comes upon a pool of water guarded by a hideous hag. She offers each a drink in exchange for a kiss and each one flees at her dreadful appearance, except for Niall. He kisses the crone and makes love to her. As they kiss, the hag becomes the loveliest of maidens, her face like the radiance of the sun - none other than the goddess of sovereignty herself.

Folk tales in Ireland, Wales, and Scotland abound in stories about the hag, the "Mountain Mother," the "Great Old One," or the Cailleach in Gaelic. Striding across the land, she "lets fall from her skirts" the natural features and creatures of the land. In Ireland, many tales tell of benevolent hags, loathsome hags, hags saved by saints from peril, and hags who turn to hares and turn back into an old neighbour woman again when caught milking the cows!

Life presents many situations that are unsettling, even abhorrent. When troubles arise, they may represent the presence of the hag, artfully disguised. There is no way to prepare for her, except to watch for her presence. She has come to test your nerve and willingness for living in a new way. Welcoming her many manifestations signals a ready and awakened consciousness. Having crossed the threshold of danger, many things - anything - is possible.

Today's Oracle 18th March 2021

Tír na nÓg (Blessed Isle to the West)

The Tír na nÓg is one of many blessed and magical isles to the west. It is the land of the forever young, revelling in beauty, merriment, and harmony. Its qualities are joy, pleasure, peace, and blessing.

Invoking the Qualities of Harmony, Peace, and Blessing.

IF YOU ARE DRAWN TO THIS ORACLE, you are becoming more aware of the simple and delightful pleasures of living. The blessings of a land "flowing with milk and honey" in your own terms are coming into your life. Long-held tensions, grudges, hurts, and fears are losing their hold on you. Personal and professional conflicts are being resolved. Harmony and contentment are replacing disappointment and loss. Your life's work is beginning to manifest in clear and concrete ways.

The blessed isles lie off the west coasts of Ireland and Scotland, as if to follow . - the sun in its homeward path. At the coming of the Celts to Ireland, the ancient Tuatha De Danann take shelter there. In The Voyage of Bran, Bran and his men wander the seas in search of the Island of Women, a land revelling in harmony, beautiful women, and merriment. In the Fionn Cycle, the young champion Oisín and the princess Niamh of the Golden Hair ride on the sea as if it were a plain to Tir na nÓg, the Land of the Forever Young.

The sanctity of islands to the west harkens back to a mythic time. Dozens of lake islands and islands off the coasts of Scotland and Ireland are revered as sites of homage and pilgrimage, associated with monasteries and abbeys in our time. The prospect of enchanted islands, beckoning the youthful and the adventurous, appearing and disappearing from sight, riding on shining pedestals to glisten in the sun, singing with music to sweeten the air, and bestowing gifts on the virtuous and forsaken has long inspired the Celtic imagination. "West of the sun," for example, is the island of Iona, St. Columba's (Colm Cille) holy strand.

The isles go by many names: Tír fo Thoinn, the Land Under the Waves; Tír Nam Beo, the Land of the Living; Tiirn Ail, the Otherworld; Magh Mór, the Great Plain; Magh Meall, the Pleasant Plain; Tir Tairngire, the Plain of Happiness. Tir na nÓg, the Land of the Forever Young, is a delightful place fit for myths and legends.

Bran mac Feabhail is feasting with his chiefs when a beautiful woman appears from nowhere. She is so lovely that "the company held its breath." Turning toward Bran, she begins to sing:

"I bring [an apple] branch of [the Isle of the Happy], In shape like those you know.

Twigs of white silver are upon it, buds of crystal with blossoms.

There is a distant isle, around which sea-horses glisten.

A fair course against the white-swelling surge Four pedestals uphold it....

Unknown is wailing or treachery In the homely well-tilled land.

There is nothing rough or harsh, But sweet music striking the ear.

Without grief, without gloom, without death, without any sickness or debility -

That is the sign of [the Isle of the Happy]. Uncommon is the like of such a marvel."

She admonishes Bran to stop feasting and drinking wine, and asks him to journey across the crystal sea westward to the blessed isle.

Similarly, in the Fionn Cycle from Ireland, Finn and his men, the Fianna, are resting in Lough Lene in Kerry after the bitter battle of Gowra. In the mist of the May morning, Finn and his men send out their dogs to hunt, when suddenly a lovely young woman gallops toward them on a willowy white horse. She is so beautiful that they hold their breath as one. She is Niamh of the Golden Hair and her father is king of Tir na nÓg, the Land of the Forever Young. She tells Finn that she has come because she loves one of his sons, Oisín. So fair is he that rumours have reached all the way to Tir na nÓg. Beckoning Oisín to follow her, she recounts the island's delights:

"You will never fall ill or grow old there. In my country you will never die. Trees grow tall there and trees bend low with fruit. The land flows with honey and wine, as much as you could ever want.... As well as all of this you will get beauty, strength and power. And me for your wife."

Oisín bids his father, Finn, and all his friends farewell. The horse neighs three times and carries them across the sea, the waves parting before them.

True paradise is a state of grace. No one can give you joy or take it away. No circumstance can deprive you of your dignity or value. No dream come true is necessarily better than the delight and opportunity to dream. No accord, contract, job, relationship, possession, privilege, or status is better than your inmost vision of yourself, the paradise of being fully content and satisfied. In the Celtic imagination, such a blessing is westward, in the direction of the sun's journey homeward, inward to itself, deep within the pleasures of being fabulously alive.

Today's Oracle 17th March 2021

 Cernunnos, Antlered god (Lord of the Animals)

God and guardian of the animal realm, Cernunnos' authority is heralded by wearing the antlers of the deer. He provides sustenance and protection for the animals under his care. His qualities are generosity and magnanimity.

Invoking the Qualities of Generosity and Magnanimity.

IF YOU ARE DRAWN TO THIS ORACLE, you may not think of yourself as regal, as having a noble character; yet this capacity is developing within you. Others are already looking to you for strength, support, and guidance, even if you are not aware of your influence on them and your importance in their eyes. The "others" may be your children, employees, friends, partners, family, or neighbours. If you are not in a position of great external authority, your character is nonetheless leaving a strong impression on those around you. If your meditation has been strong, your spiritual maturity may be garnering such strength that it is beginning to show in your actions and presence.

As Lord of the Animals, Cernunnos provides refuge, sustenance, and well- being for the animals of the great forests of Europe. Majestically portrayed on the Gundestrup Cauldron, the antlered Cernunnos sits cross-legged on the ground next to a great stag. Cernunnos also appears intimately allied with the mother goddesses, carrying cornucopiae and offering bowls of fruit and grain to animals. The sovereign Cernunnos signifies generosity and magnanimity toward those he protects.

As early as the fourth century B.C., Cernunnos appears in rock drawings from the Camonica Valley of northern Italy. Cernunnos's authority is heralded by his great antlers, signifying his lordship among the animals of the forest of Europe. Through the centuries, his symbols - antlers of a great stag, Celtic jewelry called torcs, and the ram-horned snake remained remarkably consistent. Drawn on cave walls by Iron Age Celts, he appears robed and standing, and arrayed with great antlers, torcs on both arms, and a ram-horned snake at his side. On the Gundestrup Cauldron, Cernunnos's portrayal is regal: he sits cross-legged on the ground like a hunter, grasping a tore in one hand and a ram-horned snake against his face in the other. He is surrounded by a bull, hound, boar, and otherworldly animals. A stag with identical antlers stands beside him, as though mirroring his image as an animal.

Extending his sovereignty to include imagery usually associated with the mother goddesses, Roman-Celtic statues of Cernunnos show him carrying abundant cornucopias, feeding animals, and offering grain or coins from a bag.'' Like the mother goddess, also common at this time, Cernunnos extends his protection to include the growth of crops and the health and well-being of animals and humans alike.

His best-known image comes from Lady Charlotte Guest's rendering of "The Lady of the Fountain," included in her translation of the Mabinogion. Cernunnos appears as the potent Lord of the Animals:

"Sleep here tonight, and in the morning arise early, and take the road upwards through the valley until thou ... comest to a large sheltered glade with a mound in the centre. And thou wilt see a black man of great stature on the top of the mound. He is not smaller than two men of this world. He has but one foot, and one eye in the middle of his forehead. And he has a club of iron. .. . And he is not a comely man, but on the contrary he is exceedingly ill favoured; and he is the Woodward of that wood.

And thou wilt see a thousand wild animals grazing all around him....

And the next morning I arose ... and proceeded straight through the valley to that wood.... And there was I three times more astonished at the number of wild animals.... And the black man was there, sitting upon the top of the mound. Huge of stature as the man had told me....

Then I asked him what power he had over the animals.... And he took his club in his hand, and with it he struck a stag so great a blow that it brayed vehemently, and at his braying the animals came together, as numerous as the stars in the sky, so that it was difficult for me to find room in the glade to stand among them. There were serpents, and dragons and divers sorts of animals. And [the black man] looked at them, and bade them go and feed; and they bowed their heads, and did him homage as vassals to their lord."

Generosity comes from confidence and magnanimity from strength, an inner knowledge that life will always be filled up and replenished anew. More and more, your actions are spontaneous and unaffected. By responding to the needs of others unselfconsciously, you are participating in the natural urge of creation to increase in generosity and love.

Today's Oracle 16th March 2021

 Nymphs (Healing)

The nymph like goddesses of healing springs are sometimes nurturing and soothing, or playfully erotic. They bring healing and loving attention to our physical bodies. Their qualities include the giving and receiving of intimacy.

Invoking the Qualities of Intimate and Loving Attention.

IF YOU ARE DRAWN TO THIS ORACLE, you want to renew your physical well-being. You may have particular physical ailments. Emotional trauma may also be impairing your health and vitality. You may desire more passion and intimacy in your relationships or in your sexual life. You may be preparing for a life transition requiring greater health and stamina.

Healing springs are associated with the healing properties of youthful goddesses, commonly personified as young, playful nymphs. Pilgrims gather around the bubbling waters, making prayers and offerings to a favoured goddess. Children and adults bathe in the curative pools. Women sleep near pools thought to cure barrenness and convey fertility. The best-known nymph is Coventina, who signifies loving and healing attention to our physical needs.

Thousands of curative springs dot the landscape of continental Europe and the British Isles. Like caves, burial mounds, subterranean passages, the shores of lakes, and islands to the west, natural springs are gateways to the Otherworld. Each spring is an orifice - a mouth or vagina - of the mother goddess, a gateway to the realm of the goddess. Though each spring is a repository of the goddess's abundance, the goddess manifests her nature a bit differently in every spring. Like a woman with many attributes to give to life, the attributes conjoined in a single spring are found nowhere else on the surface of the earth.

Natural springs inspired healing and replenishment. Many springs were known to cure barrenness in women, so women went to sleep there, and probably lovers went to the pools together seeking fertility. Some springs in particular were playful meeting places for family and friends, especially in the warm months of summer. Great numbers of pilgrims and relatives prayed at them to propitiate the goddess's favour. The pools near natural springs, particularly thermal springs, also inspired leisure and recreation. When sleeping overnight by the pools, the pilgrims were encouraged to rest and dream the answers to their queries.

In northwest Spain, southern Gaul, and Britain, the spring goddess Coventina was revered, with the height of ritual activity taking place in the late second and early third century, prior to the edict that made such rites illegal in areas under Roman authority. On one stone, Coventina is a nymph, shown resting on waves lapping against a riverbank, waving a water lily playfully in the air with one hand and poising her other arm on an upturned jug of water. At Carrawburgh, along Hadrian's Wall in Northumberland, she is portrayed as a triple nymph. Akin to images of the Triple-Mother Goddess, the face of the three images varies slightly, but her imagery otherwise is standard. She appears semi-nude, pouring a jug of water on the ground with one hand and holding another jug aloft in the other. Over sixteen thousand coins have been found in her well, a level of ritual offerings higher than that at the thermal springs at Aquae Sulis in Bath, England. Other offerings found include jewelry, bits of glass, bone, metal, and leather. Supplicants came to offer prayers and petitions, bathe in the pools, drink from the well, and leave offerings to accompany their prayers.

The presence of the playful nymph signals the healing of physical distress and the replenishment of vitality. Key to receiving the gifts of her presence is your willingness to receive intimacy and love and to play and frolic. She wants you to have fun, relax, and enjoy life. A healing vacation near water or at a spa may be especially helpful. If you have the opportunity to move to a new home, you might consider living near a river or stream. Professional activities can certainly recede into the background for a while. Perhaps you have been working too hard. Perhaps at this time in your life you need to pause and refresh your physical resources. Perhaps you are approaching retirement, a change in activities or environment, or preparing to give birth to a child. Whatever your situation, this oracle invites you to renew your physical well-being and restore passion, eroticism, and wonder to the physical and sensual activities of daily life.